Come along take a ride on the Fantastic Voyage

SUGAR C + DEXTER MAC WERE 1st BUT GOT LITTLE CREDIT

2026

February 2026

Sugar C + Dexter Mac were the first Canadian Rap group to make a Rap record in Canadian Hip-hop history....But never got the proper credit...

Sugar C & Dexter Mac created their record in a professional 16+-Track Toronto recording studio then released it on vinyl, but they never made an official music video, which would have cost in excess of $60,000 back in those days. Sugar C did send me this…..not sure when they took it.

This is the story of a great find…check the story…There is uncertainty when it comes to identifying the first rap and hip-hop records ever released in Canada, and determining who the respective artists were. Jay W. McGee, a talented R&B artist and musician originally from the U.S., came to Canada in the late ’70s/early ’80s. After touring here in the late 70’s, he met his Canadian wife and settled and raised a family in Canada. He deserves credit—along with some assistance from Ken and Junior from Monica’s—for releasing some strong early records where he was the featured solo Canadian rapper.

 That said, Jay W. McGee was an all-around musician. While he released rap-influenced songs, he never aspired to market himself strictly as a rap artist, and his music, like many from that time, had a commercial Disco-R&B flavour.  We won’t take away his stripes. But let’s move the story forward to late ’83–’84.

By then, the Fantastic Voyage Program had been birthed, and rap was a new and electrifying movement taking over the musical stratosphere. Canada, however, was still virgin territory for Rap. There was talent bubbling beneath the surface, Canadian MCs like Butch Lee were rapping, but other than Jay W. McGee, nobody else in Canada were pressing Rap records…with one notable exception.

Meet rappers Sugar C + Dexter Mac

Many know him as MC Sugar C—the jingle man, the deep-voiced, New York–sounding character who delivered creative segues and jingles on the Fantastic Voyage Program. In 1983, Sugar C was just 20 years old, and his partner, Dexter Mac, — 21. Both were Trinidadian immigrants, both living in Scarborough’s Cataraqui area (Warden Avenue & St. Clair).

While Sugar C was a ballplayer and star athlete, Dexter was also an athlete, track star, entrepreneur, and go-getter. He was the ladies man, tall, strapped, and very good looking. Sugar C was the shy quiet guy until he got the mic in his hand, and one of the first MCs for TKO. As a matter of fact, Sugar C claims that in 1982, it was he and Dexter who originally created the TKO name, but acknowledges that owner Barry Boothe may disagree with this, giving credit instead to himself and ex-Chic Dynasty DJ Brian Bailey.

What bound Sugar C and Dexter Mac together was a shared love for rap music and a deep fascination with the culture as it was taking shape. In ’83—when nobody else in Toronto was doing it—they made the bold decision to partner up and make a rap record.

Dexter Mac was the chief architect behind the song’s composition, but the real challenge lay elsewhere: finding a local, professional recording studio that even understood what rap music was supposed to sound like. The engineers at Kinks Studios (Warden & Civic – Engineer: Fred Peterson) had no experience recording rap. Undeterred, Sugar C (@the_brothers_1960) and Dexter brought in their own beatbox drum machine and thanks to Trevor Sheldon (Trebas Institute), the duo was able to enlist help out of Detroit from Nucleus to complete the production.

DJ Ron Nelson in conversation with MC Sugar C

In early ’84, after investing over $4,000 in studio time, vinyl pressing, artist-musician fees, and other administrative costs, Sugar C and Dexter Mac released Canada’s first rap 12” vinyl record by a duo or group—What Is This World Coming To—which premiered on Toronto’s CKLN 88.1 FM’s Fantastic Voyage Program. 

Like many records of its era, it was a socially conscious, reality-driven piece, cut from the same cloth as Run-DMC’s “It’s Like That” and the powerful messages coming out of Sugar Hill from Melle Mel and Grandmaster Flash. The  B-side had a second more traditional slower tempo rap song called “Rapper’s Revenge”. 

We tried to get WHAT IS THIS WORLD COMING TO signed to many labels including Profile. We crossed paths with Run-DMC and approached Russell Simmons for help, only to watch him

MC Dexter Mac

place the demo into a box—and never hear from him again.

In Canada, the record was simply ahead of its time, but it sounded fat and loud, just like the American 12” singles coming out of New York. But in Canada, there were few avenues to market it, little appetite for purchasing rap music, and even less interest from radio DJs willing to play it. There was no RapCity at this time.

Today, we still cannot locate a single physical copy of that vinyl, easily recognizable by its red label. I once had 20 copies stored in my mother’s basement. I tore the house apart looking for them—all gone.

Until the Concert Hall event on 01-27-26, we’ve been unable to locate a single recording of the song itself. That changed thanks to DJ Solid who uncovered a digitized version from his personal collection of Fantastic Voyage cassettes. He sent the link the very next day. He’s an old school head and Sugar C fan, and he delivered!

Big props to Sugar C and Dexter Mac, WHAT IS THIS WORLD COMING TO? Ironically, 43 years later, the ‘message’ is still relevant. Have a listen, and rewrite the books.

DJ Ron Nelson sends letter to Russell Simmons of DefJam in 1984

Before the 6ix: Sound System Foundation ft. Toney D (Sunshine)., Lady P. (Killowatt), + DJ O’Neil (Chic)

Sound Systems were the theme discussed at this year’s Before the 6ix at the Toronto Reference Library (Beeton Hall) 02.02.26. 

Hosted-moderated by Del Cowie with DJ Agile on the turntables, the event featured: guest speakers DJ Toney D. (Sunshine), DJ O’Neil (Chic Dynasty), and MC Lady P (Killowatt). 

The room was full and the three panelists shared their stories about the business of owning, managing, promoting and competing with a sound system from the mid-to-late 70’s and beyond. 

There was discussion about the necessity of buying new records while camouflaging them, hunting for vinyl, the equipment, the sound men, being a female in the business, and talk about the crucial role sound systems played in the birth and development of the Canadian MC.

The event needed more time, each panelist had a world of experience to flash back and share. Overall an entertaining evening, a quick 65 minutes or so followed by questions from an audience full of VIPs like DJ Howard Hughes (Chic Dynasty) and DJ AJ, Sunshine’s first original DJ. Too many more to mention. 

Oh – good visuals too, seen nuff of my flyers in the screen because I played a part in that whole movement too. But that’s a whole new chapter. Looking forward to next year. Big up to all the people who braved the cold and came out.

January 2026

Canada Post awards Michie Mee, Maestro Fresh Wes + Muzion with their own Canadian Stamps

Maestro Fres Wes
Muzion

Congratulations to Canada’s Michie Mee, Maestro Fresh Wes, and Muzion (J.Kyll, Imposs and Dramatik). They are the first Canadian Hip-hop artists ever to receive their own official Canada Post stamps. This historic and classic 2.5 hr event took place 01-27-26, and was held at the perfect venue, where so much of Canada’s urban history was made — the Concert Hall aka Masonic Temple (888 Yonge Street).

The event was hosted by myself, DJ Ron Nelson (Fantastic Voyage Program) and featured guest speakers Michele Geister (RapCity, MuchMusic) and Montreal VJ Malik Shaheed (HipHop), with Rindala El-Hage repping Canada Post, and host-DJ Mel Boogie on the 1’s and 2’s. There were no live performances, but it was a still a great night of mixing and reminiscing, mingling and networking with our stars.

And a special thanks to Hayley, Amanda, Eli, Elia and Carmen on the organizational tip. Also big up to the stamp designers, Noel Nanton + Nadia Molinari of Typography Design Firm. And last but certainly not least, big ups to the recipients, Michie, Maestro, and Muzion. Well deserved.

The private invite-only event had about 500 people in attendance and the room was filled with positive energy throughout the evening

Michie Mee
Event Host DJ Ron Nelson downstairs @ Concert Hall Green Room 01.27.26

As the MC for the event, I not only paid tribute to all three honourees, but I also gave props to the Concert Hall venue itself and the early Rap culture that supported it. Here is the full speech on YouTube Video and written excerpts from my speech…. 

🇨🇦Michie Mee and Maestro Fresh Wes and J.Kyll, Imposs and Dramatik of Muzion are the first Canadian hip hop artists ever to receive their own official Canada Post Canadian stamps!  I’m so proud. We salute you, we congratulate you, we are so proud of you all. 

🍁It was my pleasure to host this classic Concert Hall event 01-27-26.  Let me share some of the excerpts from my speech.  More to come.

🇨🇦These ground-breaking artists didn’t just bring hip-hop to Canada – they gave the music its very own Canadian sound and they did this in a time when there was no infrastructure.
Nobody knew the game. Nobody was dreaming, None of us knew what was coming, 

🇨🇦There were no experts, writers, record labels, pressing plants, managers, recording studios, no producers, engineers, nobody in Canada who understood the movement because it was USA centric — most of us on the outside were innocently imitating while creating. 

🇨🇦New York City,  the home of rap and Hip-hop,  was so close yet so far. The movement coming from there was teasing and tantalizing, we could hear rap on WBLK in Buffalo but we had no Canadian players in the game at this time — we, as young Canadians and Torontonians, with so much curiosity, potential, talent, were on the outside looking in. 

🇨🇦So this was the stage. This is how it was this is how it started. This is the era that these 3 pioneer and trailblazing artists come from and represent, Muzion, a slight exception coming from the early 90’s. 

🇨🇦Thank you for staging this event in this historic venue, the Masonic Temple aka Concert Hall. Thank you for recognizing that greatness does not always come down to numbers,
likes and sales, because some may wonder why arguably Drake did not get this stamp first, and Canada Post has made a statement that they understand that — without seeds there would be no trees, so you have put things in the right order by honouring who came first, the genesis, the street soldiers and pioneers on the front lines who created a path for the industry that exists today in Canada.

🇨🇦I love the Concert Hall. Canada Post could not have chosen a more perfect venue. So much of our urban history was made right here. This place marks the beginning—the first umbrella in Canada where a beautiful, all-ages hip hop culture could manifest and call home.

🇨🇦This was the first place many of us saw live rap, live breakdancing, and DJs perform on a real stage. It’s where local talent—including young Michie and Maestro—first saw “the big stage” and dared to believe that one day, it could be them.

🇨🇦The beauty of the Concert Hall movement was that we didn’t need alcohol or drugs. The DJs were the first stars—armed with massive sound systems and impeccable taste. MCs, rappers, and beatboxers came later.

🇨🇦Whether it was a Love Jam, Monster Jam, or a Run-DMC/Public Enemy concert, the music was loud. The concrete walls shook. The windows rattled. And yes—neighbours complained, police came, history happened.

🇨🇦We were witnessing a new music transforming into a culture—still underground, underestimated, unnamed. We just knew something special was happening. We didn’t even know it was called Hip-hop yet.

🇨🇦We remember sneaking out as teenagers to attend pivotal rap parties and concerts, fully accepting whatever consequences came after. This was the proving ground—the place where MCs learned that people from their own hoods loved them and would support them through any battle. This is the turf our trailblazers come from. Some of Toronto’s greatest early hip hop moments happened right here.

🇨🇦Today, we pay tribute to the genesis. We celebrate Muzion, Maestro, and Michie—their achievements, legacy, and history. We salute you. We are proud of you. You made hip-hop history.

2024

May 2024

And When We Party

And When We Party Music Video ft. Righteous, Pro-Logic, DJ Ron Nelson & Mr. Q premieres 05.15.24

"And When We Party" [Righteous, Pro-Logic, DJ Ron Nelson & Mr. Q]

The official music video drops May 15th @ noon. Righteous, Pro-Logic, DJ Ron Nelson & Mr. Q came equipped to celebrate 50 years of Hip Hop with a club banger! The track is appropriately titled “And When We Party…” This infectious Funk Boogie Vibe will have the most hardened wall flower tapping their feet. 

DJ Ron Nelson sets the mood of the track by letting the world know that he came ready to party! Righteous comes in effortlessly with such a smooth flow as he recalls the good times. He ends off the verse by quoting the 4 principles of Hip Hop. “Peace, Unity, Love and Having Fun”

It’s at this point you get hit with the hook. “And When We Party, We Party with a Beat! The Funky Music Gets In your Feet” The sweet melodic vocals of Mr. Q aka Jay W. McGee is guaranteed to be on repeat in one’s head after listening to this musical art.

The Smooth-Spoken Pro-Logic continues right where Righteous left off by spreading positive vibes throughout his verse. “Make you want more, the baseline is tight. Crank up the volume, pass Pro the mic.”

When you think about it, what event starts without the master of ceremony? As the listener prepares for the finale, one can’t help but be fanatic about the “Uptown, Downtown” part of the hook!

DJ Ron Nelson closes out the track by prestigiously sliding through “Summer time, lose your mind. Move your behind, it’s party time” He captures what it’s like to enjoy a party.

Overall this is a great track! Everything Gels. What better way to celebrate the 50th year of Hip Hop by paying homage to two Canadian trail blazers in the rap game.

Review written by Anon Twist

#djronnelson #reggaemania #fantasticvoyageprogram #andwhenweparty

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February 2024

California Dream Nightclub

Remembering California Dream

California Dream Nightclub
The Dream Crew -- Sean, his wife Erica, and Erica’s mom.

Let’s flash back to the California Dream – initially at 137 Peter St.,then on Yonge between Sheppard and Finch.

Those who know Erica will attest to the fact that she was smart, beautiful, captivating, the essence of California Dream, yet renowned for running a strict operation – no liquor after hours, lights on at 2:45, no foul music, no smoking, and always good security including police if they were needed.

While so many nightclubs were closing around her, strong Erica played by the rules and enabled the Dream to survive for probably over a decade, filling the gap for those wanting pure R&B and Soul with a little bit of this and that mixed in, all inside a mature ‘dress-coded’ environment.

California Dream was advertised hard on WBLK, I did all their commercials. This was a time when our promoters did not trust leaving ads to be made by the WBLK staff, even though they would be produced at a very small additional cost.

Instead, Erica, and other Toronto promoters and nightclubs advertising there, would make their commercials inside my Apache Studios and then Fed-X them to Buffalo when the session concluded for next day delivery on 1/4” reels.

It was an independent and creative stage, only ending when Flow came along and knocked out WBLK’s signal. Unlike Buffalo, they understood how to make commercials appeal to the Canadian market.

And yeah, the best dee-jays that ever held it down at California Dream included the likes of DJ Dale Evans, Ebony Sound Crew, and DJ Starting From Scratch, but there were many greats who played there.

Big yourself up Erica, one of the best female entrepreneurs I’ve ever had the pleasure of working with, we actually had a friendship, spent a lot of time on the phone.

FYI – Erica closed the California Dream after the lease expired on the Yonge Street location and the government wanted the building back.

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Get It Together - Toronto's Jane-Finch Massive unreleased 90's single found!

Today I was vibing listening to music from my recently  found DAT Tape from the late 90s APACHE STUDIOS days. I’ve decided to share this one with you, a song I produced featuring a popular crew called Jane-Finch Massive, who I’ve talked about in some of my past posts. 

The comments said – let’s hear what they sounded like, so I’m gonna play you their best demo song, music that was never released. The group was appealing to me because they had a really good rapper who sounded like Rakim (RIP Rappin’ Chilly) and Mouse and Froggy, both good reggae dee-jays and sing-jays to spice things up. So let’s go back in time … but wait for it – the song changes. Enjoy and feel free to criticize in the comments. 

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January 2024

Jam Master Jay 1984​

Jam Master Jay
Jam Master Jay -- Photo courtesy of AP Photo 📸 Krista Niles

Jam Master Jay, aka Jason Mizell, was so full of talent and enthusiasm. He was recruited as the dee-jay for Run-DMC because he had the equipment, essentially becoming the band for the group, using turntables, flawless cutting and scratching techniques to take both the Run-DMC’s hardcore music and the most powerful live stage performance in the history of rap to higher levels. When we heard of his passing, it seemed unbelievable that he was gone, and so tragic the way he left.

Jam Master Jay appeared to be the nicest of New Yorkers. Yes, the band’s image was tough, but when you met Jay, he was the nicest of people, made you feel comfortable in his presence and he would often use reverse psychology and make it seem like you were the star, not him. Jay would smile more often than the others in his craft and was very curious and opinionated about everything he saw and everybody he met while in Canada.

And when it came to live performance, Jam Master Jay was ahead of his time.  When Run-DMC gave him the spotlight, he was flawless using two turntables, break beats, a mixer and a mic to make every hip hop fan lose their mind with his scratching, looping, tricks and cuts. I certainly lost mine, he amplified the role of the dee-jay as essential to the fabric of Hip-hop. This was the Jam Master Jay that I knew and loved.

Today’s news said that he was involved in cocaine smuggling since ‘96, but my memories and Jam Master Jay snapshots go back to the 80’s, latest early 90’s. Jay’s not there to defend himself now, but I’m wondering like many why the Run-DMC money was not enough to get him out of that criminal lifestyle. Some will say greed but that wouldn’t match the JMJ persona.

I’m not sure for how many years it continued, but in case you didn’t know, Jay didn’t get his cut in his first years with Run-DMC. He was paid like a session-musician for high-grossing shows before being promoted to official group member years later. Still, if he was selling coke, then others around him kept silent until this tragic shooting occurred followed by an investigation that is only now unlocking and uprooting answers that the hip hop culture has been awaiting for years.

Two men accused of murder in the death of Run-DMC star Jam Master Jay are set to go on trial today, more than 20 years after the trailblazing DJ was shot in his New York City recording studio. Karl Jordan Jr. and Ronald Washington are charged with the 2002 killing of then 37-year old Jam Master Jay and both have pleaded not guilty.

I loved Run-DMC and I loved their dee-jay Jam Master Jay (RIP). Run-DMC was the meaning of Hip-hop to me and it was a thrill to be able to interview them previous to their 1984 Toronto live performance, then later bring them here to Varsity Arena as a promoter for their 1989 Run’s House North American tour, marking thie first time an official Rap concert Tour had made its way to Canada.  Below you can listen to a short excerpt from this exclusive recording, where you can hear Jam Master Jay, Run and DMC talk about their favourite records. 

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Stumbling Blocks for Flow 98.7?​

Stumbling Blocks for Flow HDR

Flow 98.7 is in a reset, and we’re all waiting to see what’s new in the revamped Flow camp. Program Directing will be a challenge here but the good news is that the same people who were in charge of successfully popularizing and programming Vibe 105, now have the task of doing the same with Flow.

Vibe 105 has a small signal but they had earned loyal listeners because of their successful urban programming. Flow’s signal is not the best and in Scarborough if you drive any distance east of McCowen + Hwy 401, it cuts out with interference from CBC Radio.

So let’s forget the signal issue for a moment and go back to station programming. The challenge – how does Flow get more white people to listen with allegiance to the new home of Black music? What I mean by that, the Black populace in the GTA is not large enough to sustain a healthy listenership. They will need a whole bunch of non-Blacks to start listening.

We already know that people outside our culture love our Black music, but the challenge is to program it so well on the radio that a new audience who don’t listen to Flow will now do so. Many local stations dabble in Black music when scanning their FM frequency left to right, but maybe the new Flow programming directorship has ideas on how to find and recruit this new audience.

Finally, the most difficult duty, getting people to stay tuned when the style of Black music changes. I love Hip-hop and Reggae for example but if I hear Soca I’ll change the station knowing I’ll check back in a minute when the Hip-hop comes back. I have friends who love Reggae and Afro but changes the station when Hip-hop comes on.

Just think of dances you’ve attended in the past; what kind of music makes the dance floor clear? What elements of Black music make you stand up and dance, or turns you into a wallflower?

The spectrum of our urban and Black music is so broad, you would think — you can’t please all of the people all of the time. If the new programmers can re-shape the Flow radio culture and fix this, then they fixed Flow.

FLow Blog dec 23-2
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2023

December 2023

Mastermind

Flow 98.7 in Re-Set Mode

mastermind and dj Ron Nelson

Flow 98.7 is in reset + rebranding mode, if you haven’t listened in the past few days then you didn’t know.  We’re hearing music without voices. Congratulations to Paul Parhar aka DJ Mastermind who is now in charge of program directing one satellite radio station and two commercial FM stations, Vibe 105.5 and the new Flow 98.7.

What’s to come is a big mystery, who will stay and who will go we don’t know. The silence is not speaking words so we don’t yet know what we’ll get when the reshuffling concludes and the new station and format launches promoting Flow as ‘where Black Music lives’.

I wish the new Flow 98.7 the best of luck on this relaunch. I think this time they will be in good hands and have more Black people providing the spoken word and playing the Black music that lives at their station. In the business of radio, ratings are everything, that’s the bottom line, and that’s the system where the Flow performance will be judged. Hopefully, new changes in store will lead to a better Toronto radio station with more loyal listeners in order to avoid going through this merry-go-round again. 

February 2023

John Tory and wife

Infidelity is a Bitch!

John Tory and wife

Infidelity is a bitch! What a price to pay for pum-pum! Toronto Mayor John Tory to me was like Drake, so astute, so well liked, so logical and proper, always appearing so politically correct in the public eye, and seemingly a solid, stable and outstanding leader and model citizen for our Toronto city and their voters for three straight terms stretching over nine years. 

Now John Tory, married since 1978, and his legacy, is nose-diving in flames, nothing to do with his job performance really, but because of a secret affair he allegedly had with a staff member that is now out in the public. John Tory is married with four children and in the world of cutthroat Canadian politics, any politician exposed as an adulterer will ultimately pay the career-ending price that we see John Tory paying now. 

Just goes to prove nobody is perfect, I really thought John was the perfect husband and father, but so many great, powerful and wealthy men have destroyed their careers and reputations because of their inability to resist temptation and not weaken in those moments of loneliness and lust that can be so opportune inside office environments where people have to vigorously work closely together for hours on end, sometimes during late nights.

I wish John luck moving forward, because as a man, I feel sorry for him. His story is relatable to so many of us who have to fight off temptation in the office and workplace regularly. It is not easy, office work is filled with lots of opportune moments.

I’m sure Mayor Tory will bounce back in some fashion after repairing his family situation if it is indeed repairable. Sometimes the ignorant part of me says, after 45 years will his wife Barb forgive him for ‘one’ affair? And how much was that staff member asking for that John refused to pay!

But seriously, historically, how many times we see this; good men, rich men, powerful men getting weak when they fall in lust and in turn pay the ultimate price with the sacrifice of their careers, legacy and reputability.