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MARCH 2001 REGGAEMANIA EVENTS

Welcome to our March 2001 REGGAEMANIA EVENTS — We present to you a look through the lens of past March 2001 Reggae-Dancehall Events that took place the Toronto and surrounding areas. 

MARCH 2001 REGGAEMANIA EVENT LISTINGS 

 

Saturday March 31st @ Mirage

Ken Booth, Nana McClean

Mr. Cooper, Jr Felix, Melani

Explosion Band, Soulville

55 Nugget Ave.

info: 416-332-0376

 

Saturday March 31st @ Base Nightclub

Elephant Man, Nitty Kutchie,

Danny English, Egg Nog

Woman A Run Tings

Military, Intruda, Soul Controllers

info: 416-410-8656

http://www.tripleplatinument.com

 

Saturday March 31st @ The Opera House

Jones & Jones presents

Luciano, Junior Kelly, Mike General

Dean Frazer, Firehouse Crew, Iley Dread,

Messenjah, Sensation Band

735 Queen E. @ Broadview

info: 416-452-1911

 

Friday March 30th @ Base Niteclub

BUS DA DANCE Nelson

Super 7 Audio, Tony B

163 Carlingview Ave. S. of Di

 

Thursday March 29th @ Soul On Spadina

Iley Dread, Norris Man, Chrisinti, Messenjah

347 Spadina Ave @ Dundas

info: 905-452-1911

 

Wednesday March 28 @ Epiphany

Sound Of The Year Juggling Competition

Semi Finals: Body Rock vs Prophet

winner: Body Rock

11 Arrow Rd.

 

Sunday March 25th @ Base Niteclub

Tony Matterhorn, Baby Blue, DJ Tyronne

163 Carlingview

info: 416-918-4410

 

Sunday March 25th @ Club Epiphany

RICHIE D from Miami

11 Arrow Rd.

 

Saturday March 24th @ 5 Star Banquet Hall

Firelinks, Black Reaction

1811 Albion Rd.

 

Wednesday March 21st @ Club Epiphany

Sound Of The Year Juggling Competition

Preliminary Round Part 4

Barry Culture vs Prophet

(winner: Prophet)

 

Sunday March 18th @ Club Epiphany

Sound Of The Year Juggling Competition

Preliminary Round Part 3

Lindo P. vs Team Bravo

(Lindo a no-show, Team Bravo disqualified)

 

Sunday March 18th

Canadian Reggae Music Awards

 

Saturday March 17th @ Luxor

Barrington Levy, Everton Blender, Kip Rich, 

Blaze Band, Lenn Hammond, Explorer Crew

King Turbo

4250 Dufferin

info: 905-624-4282

 

Saturday March 17th @ The Opera House

Culture

735 Queen St. E. @ Broadview

info: 905-452-1911

 

Saturday March 17th @ The Abyss
BUS DA DANCE, Black Reaction, Military,
Black Mellody. Frisco
3636 Hawkstone Rd.
info: 416-410-3939

 

Friday March 16th @ Base Niteclub

RON BUS DA DANCE NELSON

Super 7, DOC, Tony B.

163 Carlingview

 

Friday March 16th @ The Bamboo

Lenn Hammond

312 Queen St. W.

info: esm-urbanspace@usa.net

 

Friday March 16/2001 @ The JCA.

Mr. Cooper CD-release party

with the XPLOSION Band 

Mickeal Buckly & Cold As Ice

190 Arrow Rd.

 

Wednesday March 14th @ Base Niteclub

Kid Capri

Glamarous Movements, King Turbo, Court Jester

163 Carlingview

 

Wednesday March 14th @ Club Epiphany

Sound Of The Year Juggling Competition

Preliminary Round Part 2

Asteroid vs XL

(winner: XL)

11 Arrow Rd.

 

Sunday March 11th @ Club Epiphany

Sound Of The Year Juggling Competition

Preliminary Round Part 1

Black Mellody vs Body Rock

(winner: Black Mellody)

11 Arrow Rd.

 

Friday March 9th @ Luxxor

FRIDAY NIGHT REGGAEMANIA

Live-To-Air Broadcast

Ron BUS DA DANCE Nelson

Immortal, Sudeep K.

4250 Dufferin St. @ Finch

 

Wednesday March 7th @ Club Epiphany

Sound Of The Year Juggling Competition

Elimination Round 4:

Prophet, Alpha One, Super Force

(winner: Prophet)

11 Arrow Rd.

info: 416-740-9329

 

Sunday March 4th @ Club Epiphany

REBEL T.

11 Arrow Rd.

416-740-9329

 

Sunday March 4th @ Karma Club

JUNO AFTER PARTY

Sean Paul, Black Mellody, Puppet

info: 416-241-8702 or 416-410-1704

 

Saturday March 3rd/2001 

@ The Grand Theatre & Banquet Hall

Rastafari Development Gathering presents

Seal The Trinity

Yami Bolo, Zion King & Antz Mon

1215 Danforth Avenue

info: 416-920-5084

 

Saturday March 3rd @ Base Niteclub

David Rodigan

Black Reaction, Military, King Turbo

Base Nightclub

163 Carlingview

 

Friday March 2nd @ Base Niteclub

RON BUS DA DANCE NELSON

King Turbo, Tony B.

163 Carlingview

MARCH 2001 OVERVIEW

 

 

This was the month of the artist, as our dancehall reggae scene was now in full swing. In this month alone, Toronto saw performances by at least 21 Jamaican artists and 5 Jamaican sounds. Locally, things were still warm, but problems at the Abyss and the Mirage seemed to slow down the momentum the the year had built. 

 

Musically, top tunes included TOK’s Chi Chi Man and Sizzla’s Get To The Point. Baby Cham’s Groundsman still floated near the chart tops and Bounty and Beenie seemed to be cooling off finally from dominating the charts.

 

INTERNATIONAL SOUNDS WHO PERFORMED IN TORONTO March 2001

 
  • Tony Matterhorn
  • Richie D
  • Firelinks
  • Rebel T
  • David Rodigan
 

INTERNATIONAL ARTISTS WHO PERFORMED IN TORONTO Mrch 2001 

  • Ken Booth
  • Nana McClean
  • Elephant Man
  • Nitty Kutchie
  • Danny English
  • Egg Nog
  • Luciano
  • Junior Kelly
  • Mikey General
  • Dean Frazer
  • Firehouse Crew
  • Norrisman
  • Chrisinti
  • Barrington Levy
  • Everton Blender
  • Kip Rich
  • Blaze Band
  • Culture
  • Michael Buckley
  • Yami Bolo
  • Sean Paul

 

SOUND TIDBITS 

 

Since moving to Jamaica, Nitro has been making some noise, and now may be setting up shop again back in Canada. Lindo P. and Baby Blue visited Antigua in late March courtesy of Chozen Sounds. Both sounds went over well with the Antiguan massives, but it was Rennaissance who in the end, stole the show. They had experienced one of their best nights ever. Lindo P and Baby Blue actually had beefs with each other at one point during the dance. Lindo had exited the turntables leaving them on 45-speed. 

 

Baby Blue’s first song was 33 rpm, but they didn’t change the pitch before playing the tune, leading to the song being played at twice the speed – embarrasing for Baby Blue. Blue then turned it around, and went on the mic and credited Lindo P for playing that tune as his ‘last record’. Needless to say, this pissed of Lindo, and on his next round, much to the delight of the crowd, he took out his frustrations on his turntables, in essence, turning a bad thing into a good thing. Chozen Sounds will be promoting another event soon coming in Antingua. Rumour has it we might see Starting From Scratch there or a next popular Toronto sounds.

 

GUNPLAY HURTING NIGHTCLUBS REPUTATION

 

The month of March started out on a sad note, with the murder of a young man outside a parking lot close to the Mirage Nightclub on the night of Friday March 2nd. 23-year old Shaun Peter Myers was chased from the parking lot by a gunman with a semiautomatic who proceeded to gun him down after he tripped. 

 

The gunman escaped into a waiting car and to this date, no arrests have been made, despite the chase being witnessed by several people. The following weekend, attendance at the club dropped to less than 100 people between the Friday, Saturday, and Sunday nights. Mirage is still recovering from media execution, and is only now beginning to get back their crowd.

 

DAVID RODIGAN @ Base Nightclub Saturday March 3rd

 

This event brought about 650 people into the venue on the first big dance of March. As for vibes, the people seemed desperate from them, and despite an artillery of Toronto’s best sounds (King Turbo, Black Reaction, Military), the only sound to carry vibes for the entire night was Rodigan. The people had clearly come to hear him play, and he gave them exactly what he wanted in the traditional reggae styles. 

 

There was some drama at night’s end when King Turbo challenged Rodigan for a friendly dub-fi-dub, but with only 40 people left in attendance, it was clear again that the crowd had come to support Rodigan, and it was his music and talk that made people move. Overall, a very average dance that would have been better attended if the shooting at Mirage had not happened the night previous.

 

REBEL T @ Epiphany Sunday March 4th 2001

 

Rebel T’s Epiphany performance would make one think that they were a sound that frequently played in Toronto. This fresh Yard sound played great from start to finish, and stood for the classic definition of what many DJ’s fail to do – read the crowd right! Rebel T kept the vibes moving to a peak all night, and not only delivered classic and new reggae-dancehall, but also a few great funky sets as well. Next time Rebel T returns to Toronto, we recommend that all skeptics check them out and judge them for themselves.

 

JUNO AWARDS @ Hamilton’s Cops Coliseum Sunday March 4th

 

The Juno’s recognize and pay tribute to the best efforts in Canadian music every year. This year, the Juno’s were spiced up with a bit more urban flavour, as show organizers could no longer ignore the reality that urban music has risen in respectability to the point where it no longer can be ignored. This year’s Reggae Award winners were Lenn Hammond for best Reggae recording. There was no live TV performance for Mr. Hammond, but a prerecorded taping off Lenn accepting awards did make it to the tube. Hopefully next year there will be more room for Reggae and Rap award winners.

 

Other notables were appearances by crossover reggae artists Sean Paul, Michie Mee, Snow. But the story of the night was a hip-hop upset. It was a surprise to everybody when local sound turned recording artist Baby Blue (with Sean Paul and crew) did not win their category for best rap recording, despite an album rumoured to have gone platinum in Canada (100,000 units sold). This disappointment hasn’t stopped Baby Blue however. In mid March, their Universal record label flew up Baby Cham to lay down a ‘one verse’ for a future Baby Blue track featuring singer Julie Black.

 

FLOW NOT FLOWING

 

New urban radio station in Toronto haunches officially Monday March 5th. Personalities include DJ X, Juiceman Jonathan Shaw, Gemini, and a handful more. The Friday previous, Bus Da Dance had blasted Flow 93.5 on his Friday Night Reggaemania Radio Show (ckln 88.1 fm)after hearing a station promo on Flow that credited this station as the “number one source for reggae music in Toronto”, which as we all know is a bunch of crap. The Flow TV commercial were also misleading, since Flow has loyalty only to hip hop, but not to reggae, soca, or island music.

 

Essentially, Flow would have to earn this right be working hard for it, for rightfully and justifiably making any claims for their station being Toronto’s number one source for reggae. Let’s admit something, essentially, Flow 93.5 is a hip hop urban radio station, not a Black station, or a station that is proud to be Black. They have made it more that clear their intention to go after white dollars in the community and have put reggae music (and Canadian reggae music) on the back-burner, playing old dry-up reggae once per 2 hours on average.

 

We have not heard the end of this episode, and Ron Nelson has made clear his intention to continue to have ckln’s Friday Night Reggaemania and the combination of other reggae programs presently heard on community radio stations CKLN, CHRY, and CIUT as the people’s true official source for Reggae in Toronto, despite Flow trying to brainwash people into believing that it isn’t so.

 

KID CAPRI FLOPS DURING MARCH BREAK

 

March break Wednesday (March 14th), Kid Capri played Toronto alongside King Turbo and Court Jester at Base Nightclub. Despite a good promotion, the jam flopped, even though Capri usually draws crowds in the hundreds. DJ Clue comes to town April 14th.

 

LENN HAMMOND RULES BAMBOO

 

On Friday March 16th, the Bamboo was the spot for Lenn Hammond to headline a Canadian artist reggae showcase presented by Urban Space’s own Tony Barnes. The timing couldn’t have been better, as this would be Lenn Hammond’s first headline Canadian performance since winning his Juno Award. Needless to say, the Bamboo doors were closed off by 10:30, as the party had sold out. 

 

Lenn Hammond live was an experience many people won’t forget as that night, he was, according to all reports, completely in the ‘zone’. The following night, Lenn Hammond shone bright again when he opened up for Barrington Levy, Kip Rich and Everton Blender.

 

MR COOPER AT THE JCA

 

While Lenn Hammond ruled downtown, Mr. Cooper celebrated his record release party with special guests Michael Buckley, Cold As Ice and Explosion Band. We saw Cooper later at the Barrington Levy show, and he told us the party went great.

 

GUNS DISCOVERED OUTSIDE ABYSS & MATTERHORN

 

On March 3rd, a crowd of almost 500 people rushed the doors at the Abyss, who had been averaging over 1,000 people consecutively every Saturday with their Gal Farm promotion. The night featured DJs Hooker and Fire Kid Steenie, who talked against violence after the rush with lights turned on for the rest of the evening. Fortunately for the promoters, the partied continued on without problems despite the bum-rush and lights on.

 

The following Saturday March 9th outside Abyss, Police found two illegal handguns in while randomly searching cars in the area. One suspect, a selector from a local soundcrew, was said to have assaulted an officer while resisting arrest. He had a loaded pistol in his pocket, but had not yet tried to enter the venue. Rumours flew that Police found other weapons in other vehicles while doing their crackdown.

 

The following (Sunday) night at an all-ages party, Guled Mohamud, a 15-year old youth, was knifed to death inside the club. Two other people were injured on a busy March break all-ages party held by the club that saw both uniformed security and police surveiling the area. The club has remained open, despite rumours of it closing because of the number of unlucky incidents. 

 

The following Saturday (March 17th), Big City Promotions, promoters of the Saturday night Gal Farm party at the Abyss, advertised that they would be donating all profits from their March 16th Saturday Night Gal Farm vent to the family of the deceased. The Gal Farm promotion was in no way related to the Sunday night murder, but the promoters saw this as a positive and necessaries gesture. “Guled was still a member of the Black community, an effort to show our respect and our condolences to the family”, said Mona Pringle, promotional director of Gal Farm. 

 

Despite the promoter’s goodwill, the March 16th Gal Farm party flopped for the first time since moving to the Abyss. Patrons arriving at the venue were met by a Police force that had blocked all entrances and roads to the club. Police were not only in cars, but also on foot accompanied by dogs. Those who endured the lineup were forced to wait up to a half hour before finally getting through. Many cars simply turned around and spurted the venue once seeing the police presence or just plain fed up from waiting bumper to bumper in line. Police obviously planned on making it difficult for the Abyss to stay open, despite the club having the legal right to close.

 

By night’s end, there was no money left for a donation to the family of the youth who got killed. One is only left to guess how much money could have been raised if the police hadn’t purposely interfered. Since the Abyss had been averaging over 1,000 people every Saturday, one’s guess would be in the $6,000 – $10,000 range. On the night of the event, the family still had not responded to Big City’s attempt to contact them about their kind gesture. It was their guess that the family may have chosen not to respond as they may be planning on suing the nightclub. 

 

Big City had bigger problems however. There was now less than a week to go before Tony Matterhorn and Baby Blue birthday dance originally planned for the Abyss. A decision had to be made on either moving this dance or canceling it outright. One thing was for sure. If they still tried to keep it at the Abyss, the police would most likely be there again in full force, not an enviable situation.

 

TONY MATTERHORN @ BASE

 

By the following Tuesday, Big City had put new plans in motion, spreading the new word that Matterhorn would go on, but the location would now be the Base Nightclub. This seemed to make more sense, and in the end, was a decision that promoters would not regret. The Matterhorn dance not only went on, but also drew a healthy non-holiday Sunday night crowd of about 800 people, a credit to promoters who had contemplated cancelling the show after events at the Abyss left them only one week to remedy their situation.

 

Best of all, the event was incident-free, except for a pepper-spraying incident by Police who had to counteract a lineup that had gotten out of control and potentially could’ve bummed rushed the door. They sprayed the line and assisted for a short time with getting the crowd back under control. Inside, the dance was gibed up with a cake cutting and balloon drop ceremony for the birthday boy, who had now turned 29.

 

Matterhorn’s DJ-performance was typical of his last few times here – he catered almost strictly towards the ladies. Baby and Tyronne (who also played for Matterhorn) was at the most – average. The success of the Matterhorn dance was even more pivotal considering that Firelinks was at Five Star Banquet Hall the night previous, and Richie D from Miami in town at Epiphany the same night. Both these shows flopped. Big City’s is now restarting Gal Farm on Saturday April 14 still inside the Abyss, which will be renamed and renovated in the future.

 

BARRINGTON LEVY, KIP RICH, EVERTON BLENDER

 

If this was Explorer Record’s first show, they did a good job in delivering to the Toronto massive a very nice show. The crowd of less than 500 fell short of promoter expectations, but every single Canadian and Jamaican artist scheduled to perform took the stage and delivered wonderful shows. After performances by a Canadian contingent including the likes of Juno and Canadian Reggae Music winner Lenn Hammond, Razor B., and the Explorer Family (promoters of the show), Kip Rich (backed by Jamaica’s Ruff Cut Band) was first to take the show with a tight-knit 25-minute performance that showed a marked improvement over his show last year when he first performed in Canada with Lexxus.

 

Barrington Levy was next on the stage, and immediately begun to show fans why he’s just ‘too experienced’. This legendary Jamaican singer-writer-performer didn’t miss a single note from show-start to show-finish. He was that good, and each tune sounded virtually as good as the records he’d made over the past 20 years. Performing in baseball cap, and blue jeans, Barrington eased through a 50 minute set that included classic hits such as ‘Tune In’, ”Here I Come’, Too Experienced’, as well as modern hits like ‘Living Dangerously’. Barrington showed both confidence and comfort when he sang his international classic, (Dem A) ‘Murderer’, then proceeded to tease the crowd by DJ’ing Beenie Man’s lyrics from his Beenie Man – Barrington Levy remake combination. By the show’s end, Barrington had delivered a flawless performance that included two encores.

 

Last on stage was Everton Blender, who cooled the crowd with serious and conscious Rastaman vibes. Despite being the last performer on stage, Everton Blender also delivered a masterful performance covering all his hits from the past 2 or 3 years. The factor that stood out about Everton Blender’s show was the fact that every single lyric of every single song was articulated loudly and clearly so that his conscious messages were understood. Everton Blender, like Barrington Levy and Kip Rich, was on stage alone, backed by Ruff Cut, but lacking any back-up vocalists. But just like the performers before him, Mr. Blender came off as entertaining and professional. Although not currently possessing any current hits in Canada at the moment, this Jamaican rastaman was a treat to see, and the fans at the Luxxor appreciated his level of consciousness.

 

CULTURE DRAWS AT THE OPERA HOUSE

 

On the same night that Barrington Levy, Kip Rich and Everton Blender were billed at the Luxxor, Jamaica’s Culture stole the crowd at the Opera House. Fans at the venue had a good time and enjoyed a classic Jones and Jones Opera House vibe. Many still consider it a surprise that Culture could actually outdraw a well promoted Barrington-Kip Rich-Blender show, but this cultured Rasta performer from Yard actually drew over 600 people, compared to the 450 or so that the Luxxor concert had.

 

Body Rock Wins Epiphany Juggling Competition

 

So the relatively unknown Body Rock Sound won the $2,000 in the Epiphany Juggling Competition, an event that started with 16 sound that eventually were cut down to a final two. Sounds who got a buy (they bypassed 1st round elimination’s) included Black Reaction, Military, Lindo P., and Black Mellody, but with the exception of Black Mellody, all of these sounds forfeited, leaving the stage for Black Mellody and a bunch of new and relatively unknown sounds to make a name for themselves by taking the competition. Judges for the competition included Fabo (Vibes Promotions), Rosa (Soul To Soul), Tyronne (Epiphany/Paradise), and City Kid (City Kid Records). Sounds participating agreed to adhere to rules spanning five categories which included originality, creativity, no swearing or profanity, crowd response, mixing, and juggling etc.

 

In the 1st round elimination’s, Body Rock prevailed over Killa Force and Nu-X, while XL prevailed over Super Fly and Black Ace. When Ninja Ryders, Team Bravo and Asteroid clashed, it was initially announced that Team Bravo and Asteroid would both advance as they had scored a tie from the judges. Later, Team Bravo were disqualified, leaving Asteroid to advance. Apparently, in reviewing that night’s competition, judges agreed that this sound could not advance as they had essentially borrowed a reggae DJ by using the services of DJ Wiz, who is mostly a solo selector going by the name Wiz Kid. Wiz made matters worse for Team Bravo by drawing a dub plate calling his name, but not Team Bravo’s. In the fourth and final elimination round, Prophet prevailed over Alpha One and Super Force.

The semi-finals started with Body Rock going up against the only experienced clash sound in the competition, Black Mellody. Black Mellody prevailed with little trouble from Body Rock. When Asteroid clashed XL in their semifinals, the two sounds had to fight out a virtual draw that saw XL eventually taking it from Asteroid. When Military forfeited their buy, Barry Culture jumped in to take their place but eventually lost to Prophet. Lindo P. was supposed to go up against Team Bravo in a later quarterfinal, but while Team Bravo had been eliminated, Lindo P. also forfeited With only a lob-sided three sounds left, organizers drew for the fourth sound to be the competition’s loosing sound with the highest point total. That sound was Body Rock. This left the stage for a final four sounds to clash it out – Black Mellody would go up against XL, and Prophet would go up against Body Rock, the winner receiving a nice crisp $3,000 cash prize.

On Wednesday March 28th, Body Rock, who had been previously eliminated by Black Mellody, defeated Prophet, who were eliminated by the judges for not abiding by the rules of microphone and music content. Ironically, Body Rock had been previously eliminated by Black Mellody in an earlier round, but since they had the highest points amongst sounds previously eliminated, were allowed back into the competition as a replacement for sounds who had forfeited They had now earned their ticket to the finals, and were awaiting the outcome of the Black Mellody Vs XL semifinals scheduled for the following Sunday. In a tight finish, Black Mellody narrowly escaped the antics of XL, and had earned their ticket to the finals against Body Rock, a sound that they had already beaten in the competition’s first round.

 

So finally the stage was set for the first Epiphany Clash champion. Would it be the relatively new yet confident Body Rock, or would it be the mighty Black Mellody, a sound who had already tasted victory with a victory a few years back over Studio Mixx. In the first round, Black Mellody charged through the gate, and clearly outplayed and outperformed Body Rock with their first round performance. Body Rock came back strong in Round Two, and by winning this round, evened up the competition. This set the stage for one final round (there was no dub-fi-dub) where winner takes all.

 

That round belonged to Body Rock, who thrived off the fact that Black Mellody for some unknown reason, deviated from their reggae and were focusing on hip hop to prove their versatility. The only problem was – Black Mellody had brought in two new White DJs who clearly were out of their environment. Their specialty was hip hop, but hip-hop wasn’t working that night. They were then made to play the reggae, but it didn’t look real (clearly, they knew nothing about reggae) and the crowd primarily reggae crowd wasn’t fooled.

 

Body Rock was quick to point out that the White guy in their crew was the only real White guy in the place – one who could not only select and mix, but who could also talk the mic and speak the patois. There were right, and the Black mellody antic had backfired, ultimately costing them dearly in the competition. Once Body Rock knew that had the crowd with their antics, it was just a matter of sealing the competition by play;ying well selected championship reggae tunes. They got straight to the point, and experienced 15 minutes of glory as it was clear by their crowd’s loud and excited response that they had won the clash.

 

CANADIAN REGGAE MUSIC AWARD WINNERS

 

On Sunday March 18th, The Canadian Reggae Music Awards were held at the XXX. The event was well attended, and award-winners included Lenn Hammond (Top Reggae Singer Male), Lazah Current ( Top Reggae Dancehall-Style DJ/Male), Tasha T (Top Reggae Dancehall-Style DJ/Female), George Banton (Top Gospel Singer/Male), and Luther Brown (Canadian Radio DJ Award).

 

 

ILEY DREAD @ SPADINA LOUNGE

 

This Thursday night vibe marked a nicely successful kickoff for ‘A Friend For Life’, the new Iley Dread LP that features guest combinations with top artists like Lady Saw, Sizzla, and Capleton, just to name a few. There was a crowd of about 300 people in the spacious SOS nightclub, and Iley kicked off the show himself with a tight 45-minute, followed up by performances by Jamaica’s Norrisman and Chrisinti. Iley Dread and crew left for Montreal the next day yet missed their scheduled Montreal performance. He then flew to Jamaica for a Saturday performance, then returned to Toronto on the Sunday as show-opener for Luciano and Junior Kelly Opera House concert. Iley’s ‘A Friend For Life’ LP is now available in local record stores.

 

 

ELEPHANT MAN @ BASE

 

The hype was in the air, as Elephant Man had come to town. March 31st would mark his grand return, along with Nitty Kutchie, Egg Nog, and . Missing was Harry Toddler, who has only made it to Canada once despite being promised on at least 4 occasions, but it was clear that Elephant Man was capable to holding it on his own. He had been a very consistent artist, and presently sported a number of underground reggae-dancehall hits including classics like “Truth Hurts”. Even more impressive was the fact that Elephant Man, former member of the “Scare Dem Crew”, has primed himself as a part of modern dancehall’s identity.

 

Overall, Elephant Man AKA Energy God performed for a crowd of about 600 people who had just endured an ambitious yet rather long fashion show instead of the usual lineup of Canadian artist show-openers. Egg Nog was first to perform, but since nobody knew his material, he failed to impact the crowd. Next was Danny English, who was actually very entertaining despite his first time being in Toronto. Nitty Kutchie then took his show to the stage, and finally vibes begun to increase.

Finally, Elephant Man capped off the evening with a solid, fast-paced and action packed show that never seemed like it would end. As this artist moved from tune to tune, it was clearly evident the impact he had made in the industry. Toronto was experiencing Elephant man in top form – he was atop his game. This was Elephant’s time.

 

 

LUCIANO & JUNIOR KELLY @ OPERA HOUSE

 

Honestly, I only caught the last hour of Luciano’s (2nd) Sunday Night performance, but if what I saw was any indication, Luciano hasn’t slowed down. His Saturday night show was sold out, and Sunday was a little spacier, but still relatively full. Not bad for an artist who’s fan base enables him to come to Toronto any time. Performances were good all around by all artists.